Original Song: Mothers & Daughters by Sam Abelow

A celebration of the living presence — of “the fruitful vine” and the “olive branch”: old & young at once; an eternal process of creativity, family and community; of “Mother & Daughter”. This song was then written, composed, recorded and finished in blazing speed. A major contribution to the genius of this piece is Gene Pino, maestro guitarist, coming to the studio with a 1953 Gibson L5 and a Handmade Brazilian Nylon String Guitar. Gene Pino recalls, “I felt like we went into an alternate world during that recording session.

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Mapping ORIGINS: The Art of Integration by Sam Abelow

Artists seek resolution of inner and outer tensions, personally, in relationships and between cultural groups. This is a call to rise above flagrant moral negligence on the part of the academy, curators and artists themselves, to recognize that what we do has consequences, on a personal, national and global stage. In order to grow together:

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Mapping ORIGINS: Conflicted Artists Position by Sam Abelow

The contemporary artist is tasked with reintegrating the multitude of past art movements, resolving disassociated conflicts, into a greater whole. A multicultural, multifaceted — that is, a comprehensive approach — is thus the progression beyond arbitrary obsessions & expressions of dualism, towards a greater union of self — intrapsychic, interpersonal and transpersonal.

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Why Paint? Artist's Sacrifice & The Shadow Goddess by Sam Abelow

I remember the controversy of whether or not the “Balthus should still hang at the Met,” and the formidable articles asking “If Men Should Still Be Able to Paint the Female Nude” in 2019.

What is art history and painting, “without the nude” though, anyways?

The model makes themselves available, vulnerable, open; the artist does too.

Every portrait is a self-portrait. — Spring Art Review: Why Paint? Contemporary Art and the Academic Painter's Sacrifice to Beauty (The Archetypal Shadow and Feminine, Great Mother, as per Carl Jung, Erich Neumann) (Essay Describes Kali, The Artist, The Jew, The Black Model) (A Review and Summarization of my work)

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The Coming Decade: What to Expect in Culture & Art by Sam Abelow

Pioneering markets (Germany, Silicon Valley) have been integrating insights of Western psychology and Eastern spirituality, Meanwhile, in the past decade, Paganism was America’s largest growing religion. The reintroduction and proliferation of cannabis, recreational and laboratory use of psychedelics, affects the cultural psyche causing vast individuals to calibrate or fall into catastrophe over their innate spirituality, religious archetypal substructures and inner conflicts.  This is a backdrop of what’s to come.

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Immersive Art Is Millennial Art: X-Mas With Hudson Valley Surrealist Daniel Giordano by Sam Abelow

Giordano is a Newburgh native fresh off a well-deserved print feature in the New York Times Arts section. He didn’t get there by looking like Justin Bieber (eternally young), and Harry Styles (gender-bending style), but by a strong dose of a 1920’s Italian workman blood — as he labors, in constant production.

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Gerhard Richter, David Wiseman, The Hudson Yards: The Cultural Realization of The Aesthetic Life by Sam Abelow

New York City: Within a few square miles in Chelsea and the new construction in the Hudson Yards, a strange renaissance of contemporary culture and art is flourishing. Amongst all of this, it is hard to tell whether or not the hyper-real and superficial aspects of this renaissance are so excessive that we are doomed, or that, redeemingly, it is rather that these are flaws and areas of gray in a bizarre cultural evolution. However, there is undoubtedly the sensation of a moment in culture that is of great importance. 

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The Black Model at the Crux of Western Culture: Sweeping Exhibition at Musée d’Orsay by Sam Abelow

The “Black Models” show at the Musée d’Orsay in Paris reveals the Western neglect of the archetypal feminine, which accounts for racial and gender subjugation and ultimately a disregard for the planet itself. In this view of the show, we poignantly discover a cultural progression, but also a dire need for further understanding today.

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From Paris: l'Orangerie & The Louvre (Archetypal Feminine and the Greek Mentalité) by Sam Abelow

Artists’ are driven by an immortality fantasy. Also, they are poetic types who feel the contents of life-psyche deeply. They need a subject, many of the Europeans chose “woman,” for she is at the center of their psyche; her unending pull both profound fodder for inspiration, sparking their instincts, stimulating the artist towards production.

Also, this obsession with the woman is a form of masochistic self-torture to tease themselves unending, turning an interest into a fascination, and finally into an addiction. (As one painting will not do, and one lover neither; all the complications of this muse relationship come with it!) On the contrary, it has been a form of liberation (hence, the “libertine”) to feel their erotic nature.

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Juicy Color Hits In Marc Horowitz’s High-Flying Act by Sam Abelow

Marc Horowitz’s newest paintings are all variations on the same composition: stark backgrounds resonate like a crisp sky, as chunky stick figures pulse like balloons. As in Rothko’s chapel, or Rembrandt's self-portraits, Horowitz repeats and alters the same idea in a series. And, as Rothko reduced his palette to shades of black, focusing on rectangular forms, and Rembrandt to shades of brown, focusing on the self-portrait, Horowitz’s latest interest can be compared to these exalted masters: his works, as packed with juicy color as ever before, have discarded earlier structures and devices (inkjet prints which allowed for complex puns on rendered horses, landscapes, etc.) in favor of an undeniably primal composition.

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NYC Art Roundup: Contemporary Figuration at Its Finest by Sam Abelow

Dana Schutz’s acclaimed show “Imagine me and You” exalts figurative painting ever-again, with a power and humor especially her own. The epic canvases are slogged and dashed with heavy amounts of paint, the safflower oil of which she uses as medium giving off a tangible odor. The onslaught of these powerful sights and smells, are a sort of pleasure especially modern in their strangeness.

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Hilma af Klint at the Guggenheim After Dark: Mystical Endeavors in Art by Sam Abelow

From October 2018 through April 2019 the Guggenheim Museum in New York City is exhibiting the monumental works of artist and mystic Hilma af Klint. The solo exhibition, “Paintings from the Future,” has on display astoundingly mystical, large format paintings, as well as exquisite works on paper. One notable gallery room —  which has become a must-Instagram for those in the art world — includes a dozen epic works that scale ten feet high.

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The Lover Archetype in Modern Men: Soundcloud Rappers, XXXTentacion as Dionysus by Sam Abelow

Both Orpheus and Dionysus are archetypes commonly active in the personalities of contemporary artists. An artist with an undeveloped “Orphic” disposition will tend more towards a longing, romanticization and dramatization —  a poetic, almost mystical love. The artist tinged more with an immature “Dionysian” typology will be affected by extreme emotionality and even reckless, violent behavior. These typical scenarios are caused by living out a collective pattern — an archetype — which has an impersonal disregard the individual wellbeing.

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