In a vivid interplay between the NYC art world and studio solitude, this essay explores Francesco Clemente's star-studded show alongside the writer's own mystical painting practice, uncovering shared esoteric themes. From gallery encounters to personal revelations, it reveals art as both a social celebration and a deeply personal affirmation.
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Synchronicity in the City: Why Art, Why a World? /
I inspect the meticulous layers and sophisticated use of color: “The discipline and commitment to a particular mode and approach in a serious way, makes EJ’s works art.” I pause, “The paintings seem rather buyable to me. There’s a decorative value to them. I could imagine a young live streamer with expendable income putting that lime green one on the wall.” Another pause, “And then, there's also effort and intention involved. One person makes a doodle on the back of their homework, another invests a year investigating doodles on large format canvases and puts it in a gallery for commercial sale. Is not the intention and follow-through relevant to what defines art?”
Read MoreNYC Art Roundup: Contemporary Figuration at Its Finest /
Dana Schutz’s acclaimed show “Imagine me and You” exalts figurative painting ever-again, with a power and humor especially her own. The epic canvases are slogged and dashed with heavy amounts of paint, the safflower oil of which she uses as medium giving off a tangible odor. The onslaught of these powerful sights and smells, are a sort of pleasure especially modern in their strangeness.
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