Art

Vision of the Artist in Society by Sam Abelow

I once believed that we could all be like artists — heroically discovering our own path (in the Rankian sense). That every individual was a unique factor — in the Jungian sense — able to determine their potentiality into life expression through the development of awareness of what interests & inspires them. I believed in Individuation as a cause. But, I’m not sure I buy that now; I’m not sure that this is enough.

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The Nude Body in Art: Charting the Shadowy Beginnings of Art by Sam Abelow

In antiquities, there was a social complex between the promiscuity, child-sacrifice, in relation to the great mother archetype, as a totality that induced tensions with various forming cultures and their cults. The hero, as an early masculine identity and myth, is the typology that resists the dissolving effects of the maternal unconscious. The development of moral structures and social codes is strengthened by a concentration on the hero archetype, representing the masculine in the struggle against the maternal unconscious.

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The Nude Body in Art: Introduction & Art Historical Foundation by Sam Abelow

A previous article, simply titled, “The Nude Body in Art” is one of the most viewed posts on this website. It is therefore prudent to ask once more: Why is there so much nudity in art? The nude body in art had a special place in history, but there’s a new relationship to the nude body — as well as art itself — today. The history of the nude and of western art itself are, actually, the same. Art of the nude body was a necessary production in order to get in touch with the instincts, but in the new context today, there’s a different relationship to it.

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Gerhard Richter, David Wiseman, The Hudson Yards: The Cultural Realization of The Aesthetic Life by Sam Abelow

New York City: Within a few square miles in Chelsea and the new construction in the Hudson Yards, a strange renaissance of contemporary culture and art is flourishing. Amongst all of this, it is hard to tell whether or not the hyper-real and superficial aspects of this renaissance are so excessive that we are doomed, or that, redeemingly, it is rather that these are flaws and areas of gray in a bizarre cultural evolution. However, there is undoubtedly the sensation of a moment in culture that is of great importance. 

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